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more about Birdman

I should fill you in about Birdman since I know you value my opinion in all things. Particularly politics, I know you agree with me completely about that, dear reader – but also occasionally film. This one is the weirdest jumble of things. It’s apparently famous for its long tracking shots, though those don’t matter to me. I did appreciate its extreme originality of story, script, acting – many things make it worth seeing. It’s never dull.

But it purports to be about the theatre, a Hollywood star producing and starring in a Broadway show, and it’s so far off base with that, it drove me mad. In what show could you replace a lead role the day before previews and not even rehearse? What big New York actor would drink real gin and try to have real sex during a sex scene on stage during a preview? What theatre would allow an ex-wife of the star backstage in the middle of the second act on a Broadway opening night – and what star, on that same night, would loll around chatting amiably? Go and wait for your @#$# cue, I was screaming.

And what is it about Latin Americans and magic realism? Why do they all think they can fly and move things with their minds? Gabriel Garcia Marquez and Inarritu, the director of this movie, the same. Crazy stuff. Why can’t the rest of us do those things?

Perhaps now you’re anxious to see it. It won’t be a waste of your time, though you might dislike it and like it in equal measure, as I did.

And now that I have given you my invaluable critique, I’m going to bed.



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About Beth

I began keeping a journal at the age of nine. Nearly fifty years later, I started this online journal, sharing reflections, reviews, updates, and the occasional secret.

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