Some dear friends of mine spend the summer in Martha’s Vineyard and know Robert Brustein there. A revered name in theatre circles – he wrote “The Theater of Revolt” that I studied in my drama class at university, was head of the Yale drama department for years, has had a long career at the epicentre of American theatre. The Paul McCartney of American theatre criticism. And he is interested in the Yiddish theatre, had adapted one Yiddish play for the English stage and was working on another.
So last summer, they gave him my book.
And that was that. My book has landed on many august desktops and vanished – Stephen Spielberg, Hal Prince et al. I thought that was the end of it. Yesterday, a note in my in-box, from Robert Brustein.
I am ashamed to say that I have only now begun to read your book on your great-grandfather, Jacob Gordin, but I am finding it fascinating. Please forgive the tardiness but it’s been a very full year. I have just finished a Klezmer musical called King of the Schnorrers (based on the Zangvill material) which I have updated to the Yiddish Theatre in New York, and which mentions Gordin, so I was especially intrigued.
But you write so well, and with such obvious sympathy and understanding that I thought I ought to send you a note.
Regards, Bob Brustein
Thank you to the planet. He has sent me his new musical, “King of the Schnorrers,” to read; it mentions my great-grandfather. Who knows, another dynastic collaboration…
And here’s a gorgeous, cheerful NYT essay by Oliver Sacks, sent by friend Brucie. Long may he live. (Sacks. And also Brucie.)



